On the one hand, P P Arnold’s memoir is quite a hard book to read. Because it’s set in the music business in the 1960s and this, from the point of view of a very young, very naive black girl, was a hard place to thrive in.
On the other hand, it is a good read. Because it’s set in the music business in the 1960s and full of interesting tales. Specifically, a big part of it is set in Swinging London where Pat Cole (her real name) hung out with the Rolling Stones, the Small Faces and Jimi Hendrix.
The winner of this year’s Penderyn Music Book Prize has just been announced. It’s a man.
I’m a bit disappointed in this because this year nearly half the books on the longlist were by women (and nearly half of those on the shortlist, too). But Bob Stanley is a very well respected music writer and I’m sure he deserved it.
Nonetheless, I’d like to give a shout-out to all the women on the longlist.
A few weeks ago, I sat in front of the telly and watched the first episode of Chris Packham’s series Inside Our Autistic Minds and cried most of the way through. Afterwards I told everyone how brilliant it was.
Yesterday, I sat down in front of iPlayer and watched Christine McGuinness’s new documentary Unmasking My Autism with low expectations.
Actually they both did a good job, and they both did different jobs.
When I heard that Jessica Hopper had directed a TV series about women musicians, I knew it would be good.
Jessica is a music critic turned author, producer and director. Her first book was aimed at teenage girls and called The Girls’ Guide to Rocking: How to Start a Band, Book Gigs, and Get Rolling to Rock Stardom. Her next book was called The First Collection of Criticism By A Living Female Rock Critic. And she once co-compiled a list of books about music by women, describing it as “writing on popular music that takes place outside the usual heteropatriarchal frame”.
She is, to borrow a word from some of her interviewees, “badass”.
