Nashville-based music journalist Marissa R Moss examines the sexist culture of the American country music industry and profiles the women who successfully challenged the “good ol’ boys club”.
This is a history of 21st-century country music through the history of women singers. There is a large cast, which can sometimes be confusing for readers who aren’t so closely engaged with the Nashville scene, but Moss focuses primarily on the stories of three major-label country stars: Kacey Musgraves, Maren Morris and Micky Guyton.
Musgraves’ inclusivity anthem Follow Your Arrow may sound innocuous to British ears but was controversial in Nashville at the time. Morris had to release her breakthrough song My Church on Spotify before she could get a major-label record deal. Guyton struggled for longer to make it as a singer because black musicians were not accepted as “country”. She found her voice when she put her identity front of stage with Black Like Me.
As these three, and many others, began building careers in Nashville, they found the system was rigged against them.





