Since its original release, the book has become Rough Trade Book of the Year, a Rolling Stone Book of the Year and a Mojo Book of the Year. But, I wondered, is it really a music book? There is after all a lot about Miki’s life before Lush: so is it a book about a person - like a “normal” memoir - rather than a book about music?
Of course, you can’t really separate those things, as everyone whose life has been immersed in music knows. So the first half of the book is about Miki’s dysfunctional, damaging childhood and adolescence. The second half is about her dysfunctional life in the music business. And they make sense of each other.