Like many people my age, I often watch the music documentaries on BBC4 on a Friday night. Sometimes I enjoy these programmes. Sometimes I hate myself a bit for succumbing to cheap nostalgia. More often, I hate the presenters or the talking heads who half the time Weren’t There and most of the time are men. One of my friends even calls it “middleagedwhiteblokenight”.
The People’s History of Pop is a bit different. Not enough different, but a bit is a start. Because it’s not about presenters (although there always is a celebrity presenter) or about talking heads, but about fans.
Wednesday, 12 October 2016
Friday, 7 October 2016
Age Does Not Matter. Or does it?
Apparently it was International Day of Older Persons last Saturday. No-one told me. Maybe I’m not “older” enough.
In the UK, it coincided with a conference/festival thing put on by Age of No Retirement, aimed at challenging the stereotypes around ageing. It sparked off some interesting conversations.
In the UK, it coincided with a conference/festival thing put on by Age of No Retirement, aimed at challenging the stereotypes around ageing. It sparked off some interesting conversations.
Thursday, 11 August 2016
The depression form
Have you ever filled in the depression form? It’s the one you have to do before anyone will help you with emotional problems on the NHS.
Something happened earlier this year that made me unbearably unhappy. And before anyone would help, I had to tick boxes to prove I was depressed.
Thursday, 4 August 2016
Book review: The Importance of Music to Girls
There are a lot of books about music written by men. You might have noticed. There aren’t very many written by women.
There have been a few memoirs lately by women musicians, like Viv Albertine’s excellent Clothes Music Boys, and they’ve been good. But not much by women non-musicians.
But why shouldn’t we be allowed something to say, as well? After all, the BBC series The People’s History of Pop is so much better than the usual dull documentaries. Because there are more women’s voices. And because it’s about fans, not “experts”: it’s personal.
There have been a few memoirs lately by women musicians, like Viv Albertine’s excellent Clothes Music Boys, and they’ve been good. But not much by women non-musicians.
But why shouldn’t we be allowed something to say, as well? After all, the BBC series The People’s History of Pop is so much better than the usual dull documentaries. Because there are more women’s voices. And because it’s about fans, not “experts”: it’s personal.
Wednesday, 3 August 2016
Does the internet influence how you find music?
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| I love too much already. |
Someone (a lot younger than me) asked me today: Has the internet had an effect on the range of music that you seek out?
I had to say no. Not because the internet hasn’t had a huge impact on the way we all relate to music. But because I don’t really seek out music any more.
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