Showing posts with label rock'n'roll. Show all posts
Showing posts with label rock'n'roll. Show all posts

Tuesday, 26 January 2010

Life’s too short

Finally someone has written a song called ‘Life’s too short’, my own personal Older Than Elvis motto.

Actually they wrote it a long time ago. The record by the Lafayettes was apparently released in this country in 1962, when I was (I promise) a very small child. I finally discovered it last week courtesy of Brian Eno.

Someone at BBC4 decided that last Friday was going to be Brian Eno night. Eno has a reputation as a rock intellectual so I’m pleased to say that I learned three interesting things from the Arena documentary: 1. Brian Eno wrote the theme tune for Arena. 2. Suffolk looks very nice. 3. He loves this record.

I love it too. I also love the fact that some rock’n’rollers have subverted YouTube from a medium for sharing videos to a medium for sharing their record collections. You won’t find anything this good on Spotify.

Tuesday, 3 February 2009

That'll be the day

I can’t remember if I cried... Actually, I don't remember Buddy Holly’s death at all. But I remember the first time I heard one of his songs. It was Everyday, it was 1973 and it was a cover version by the man who wrote American Pie.

The 1970s rock’n’roll revival was a wonderful thing. Wonderful for me anyway. Born too late to be there the first time round, the right age to discover it this time.

It wasn’t actually that easy. It wasn’t like today’s teenagers listening to the Smiths. All the music ever made wasn’t on tap in those days. We got drip-fed a bit at a time.

I heard Phil Spector filtered through Dave Edmunds and Roy Wood. Chuck Berry via ELO. Johnny Burnette via Ringo Starr. Elvis via Mud. They might not all have been authentic but in their own way they were great pop records. (I can honestly say I drew the line at Showaddywaddy.)

There were the occasional re-issue: Bill Haley, the Shangri-Las, Chubby Checker. There were documentaries on Radio 1. And there were films.

We went to see the film That’ll be the Day because we were in love with David Essex. We came out in love with rock’n’roll.

The soundtrack album (a double) was my musical education. Jerry Lee Lewis, Little Richard, the Everly Brothers. Poetry in Motion, Runaround Sue, Runaway. And, of course, Born too late.

Saturday, 16 August 2008

Elvis Presley has left the building


The NME was right when it put ‘Remember him this way’ on their cover the week Elvis died. I was wrong when I thought the Clash were cool and prophetic. ‘No Elvis, Beatles or the Rolling Stones in 1977.’
The world would be no poorer without the Rolling Stones, and I could happily live without ever hearing the Beatles again. But Elvis’s death was a loss.
In the end, the Clash had to own up to their debt to Elvis (and there aren’t many musicians who don’t have one). At least, they allowed a homage in Ray Lowry’s album cover design for London Calling, based on an Elvis LP sleeve. (There’s loads of pop trivia where this came from, fact fans. You’re reading someone who once beat a Mastermind contender on ‘punk rock in the 1970s’. Without even revising.)